[identity profile] troyswann.livejournal.com posting in [community profile] ds_flashfiction
Author: Salieri a.k.a. [livejournal.com profile] troyswann
Title: Odd-Numbered Nights
Pairing: Fraser/RayV (sort of)
Episode: The Deal
Length: 1000w
Warnings: language, a little bit
Disclaimer: not mine not mine not mine



Ray wakes up with his feet on the floor and the hair standing up on the back of his neck. Before he even realizes this much, he's already doing the calculations: how long to get the key in the lock of the bedside table, the magazine out of the drawer and into the gun; how long to turn in the bed and blow away whichever of his guys Zuko sent to do his wet work. Five seconds? Ten? Less than that; he's been rehearsing it in his head since he buttoned up his silk pajamas and laid down in the bed; he's been dreaming it in slow motion.

The clock on the beside table says 1:03.

A door closes across the landing. He pretends that it's this that woke him up and not the dream, the one where he's too slow.

Grinding his teeth, he clasps his hands behind his bowed head and breathes through his nose, out, in, out. Then he stands up with his back to the door and lets the ants seethe up and down his spine. He'll get used to it eventually. Instead of looking over his shoulder, he takes three deliberate steps to the window.

Before he recognizes the shape standing under the streetlamp on the far sidewalk, his body's already in self-preservation mode, and he's ducked out of sight beside the window. Eventually his muscles unlock enough to let in the thought that Frankie's guys don't wear Stetsons.

He closes his eyes and shakes his head, a gesture between fury and resigned disbelief that he's made so often lately that it's becoming some kind of signature move.

Fraser waits for him on the sidewalk like he's standing on the steps of the consulate, except his eyes move to follow Ray as he shuffles over from the house and paces back in forth in front of him, his arms wrapped around himself to keep his coat closed. Ray could button the coat but that's too much like giving in. He's left his slippers on, too, because he's not--not--really standing out in the street at one in the morning talking to a bashed-up Mountie who isn't smart enough to stay home and heal.

"So, Benny," Ray says finally, casually, like there's nothing weird about anything. "You wanna tell me what you're doing standing outside my house in the middle of the night?"

"I was in the neighbourhood."

Ray stops pacing and looks at Fraser's face. His expression is perfectly open and utterly closed. Ray tilts his head a little and leans closer like he can get in under the brim of the hat. Fraser's expression doesn't change. It's like looking through a clean, clear window into a dark room.

"Right. You were in the neighbourhood. And, I ask you, why were you in the neighbourhood?"

A brief angling of the head and a wince as Fraser's gaze darts away, off down the street, like he's stick-handling the conversation away from the net. When he meets Ray's eyes again, though, it's all Mountie decorum and finality. "I'd rather not say."

Ray nods slowly, lips pursed, and frowns down the street, too. "You know, Benny, Frankie's a young guy. He could live to be ninety. You gonna spend the next 55 years guarding my house?"

Fraser breaks the post-card-Mountie-on-guard-for-thee pose and tugs at his ear. A smile creases his cheek before he remembers the fat lip and smooths his expression out again, so that when he speaks the grim amusement is all in the voice. "Well, no, Ray. I thought that on odd-numbered nights you could stand outside my place."

Ray's laugh is silent but it hangs in the air as a cloud of breath between them. Even before it's dissipated, the rage is ready to boil out of his chest and up his throat. Frank fucking Zuko. He starts pacing again, faster, back and forth while Fraser's eyes follow him. Fucking Frank fucking Zuko.

Abruptly, Ray stops and turns to face Fraser. "Benny, go home."

"Ray--"

"Benny." Ray reaches out and puts a hand on Fraser's chest where his jacket hangs open. He slides the hand down until he sees Fraser's eyes narrow in anticipation of contact between Ray's fingers and the bruises. You're a mess, is what this is saying. Go the fuck home and lie down is what Ray means. And he wants to apply pressure enough to get Fraser's posture to break, capitulate to pain, but he can't keep the gentleness out of his hands, and he's already got them both there, inside Fraser's jacket, against Fraser's body, gentle, tentative, like he's asking for something, and that's not what he meant at all, but there they are, his hands, attached to his arms, so it must be him.

Fraser's mouth opens and his eyes meet Ray's steadily but a little wide with something Ray would call panic if he didn't think that was impossible, and for a second there Ray can see inside to an answer to whatever question Ray is asking. Maybe the answer is yes, except that Fraser's gaze flicks away again, up toward the house, and the light goes out inside that room so that Ray can't see inside no matter how hard he tries. He feels his fingers closing into fists wrapped in the soft, worn cloth of Fraser's jersey.

Although he swore he wouldn't ever look over his shoulder again, he does, following Fraser's gaze back and up to his window where Francesca's looking down at them, one hand pressed against the glass.

"I should go," Fraser says huskily. He has to unwind his shirt from one of Ray's hands, but by the time he moves on to the other, Ray's fingers loosen on their own and he lets go.

"Good idea," Ray agrees, still watching Frannie there in his window. When he looks away from the house, Fraser's turned the corner and is gone.
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Date: 2007-03-21 02:17 am (UTC)
jadelennox: due South, rescue pistol: "(Rescue me) on this mountain's the only place I can see clearly"  (due south: rescue me)
From: [personal profile] jadelennox
This is really lovely and sad. And I love the touch of flavor in A smile creases his cheek before he remembers the fat lip and smooths his expression out again, so that when he speaks the grim amusement is all in the voice. "Well, no, Ray. I thought that on odd-numbered nights you could stand outside my place."

(no subject)

From: [identity profile] nina-ds.livejournal.com - Date: 2007-03-21 03:12 am (UTC) - Expand

Date: 2007-03-21 02:39 am (UTC)
cofax7: climbing on an abbey wall  (Default)
From: [personal profile] cofax7
Oh, that's just beautiful, Sal.

Date: 2007-03-21 02:55 am (UTC)
From: [identity profile] nos4a2no9.livejournal.com
You just went and rewrote canon for me. Or at least filled in a significant gap. Because now I'm absolutely certain that this is how the end of "The Deal" played out. Vecchio's paranoia was quelled by the end of that episode but not conquered, a fact that you illustrate perfectly in the haunting scrap of dream-memory that opens this story. And then to go on and show that Fraser is keeping watch despite his tired and bruised body is...wonderful. Terrible, too, but one of the very best examples I've seen in a story of the way Fraser's wolf-like loyalty manifests itself in affectionate sacrifice.

And Ray's hands moving so gently over Fraser's body is a beautiful image that's going to stick with me for a while. I love how the sequence shifts from Ray trying to push Fraser away to drawing him close. His hope that this won't hurt either of them too much is delicate and beautifully fragile. As a result I'm not sure what to make of Frannie watching from the window - they seem to break off so as not to hurt her, and in an odd way I find it both noble and sad. Just like that note of amusement in Fraser's voice that he can't allow to show on his face as he suggests the odd-numbered nightwatch of the title.

I do love how you handle Vecchio, in this and your other stories. All of his small fears and worries and disapointments seem to add up to a fine-tuned portrait of a man bravely holding himself together with both hands. But it's your Fraser I really admire; you see him so beautifully and so clearly even though you've always written him from someone else's point of view. All of the small movements and gestures you focus on here - the gentleness of Vecchio's hands, his rehearsal of loading the gun, Fraser's fat lip and bruised torso - make up a beautiful whole. And this was an astonishing piece of fiction, one among many pieces of yours that I absolutely adore.

Date: 2007-03-21 02:55 am (UTC)
From: [identity profile] teand.livejournal.com
Oh... You make me ache for these two.

Also:

A brief angling of the head and a wince as Fraser's gaze darts away, off down the street, like he's stick-handling the conversation away from the net.

Hockey metaphor! Whee!

Date: 2007-03-21 03:06 am (UTC)
From: [identity profile] spuffyduds.livejournal.com
You know, Benny, Frankie's a young guy. He could live to be ninety. You gonna spend the next 55 years guarding my house?"

Such a splendid Vecchio voice there. Lovely and sad all 'round.

Date: 2007-03-21 03:59 am (UTC)
From: [identity profile] joandarck.livejournal.com
EeeeeeEEEEEEEEEE!

(Sorry, that's all I'm good for tonight, but wanted to say something.)

Date: 2007-03-21 04:07 am (UTC)
ext_3554: dream wolf (Default)
From: [identity profile] keerawa.livejournal.com
Ray's fear is palpable here, waking from the dream. I love the way that he refuses to button his coat or put on actual shoes.

I can so imagine Fraser dealing with his fear by going to protect someone else.

"You know, Benny, Frankie's a young guy. He could live to be ninety. You gonna spend the next 55 years guarding my house?"
Wonderful voice there.

Date: 2007-03-21 04:31 am (UTC)
sid: (Due South closeup)
From: [personal profile] sid
I'm too sleepy to say anything coherent, but I know I'll never do it in the morning. So, just, I like. :-)

Date: 2007-03-21 10:45 am (UTC)
From: [identity profile] jenlev.livejournal.com
ah, i love this: "Ray stops pacing and looks at Fraser's face. His expression is perfectly open and utterly closed."

and the way you describe ray's vigilance, such a stong physical layer there. that coupled with the reality of ray's hands touching and clenching is just frelling perfect.

also, benton's answer about guarding on odd-numbered nights is delightfully him and redolent with the depth of the situation.

(no subject)

From: [identity profile] jenlev.livejournal.com - Date: 2007-03-23 10:23 am (UTC) - Expand

Date: 2007-03-21 12:17 pm (UTC)
From: [identity profile] the_antichris.livejournal.com
Oh, that's wonderful, dark and battered and creepy, like some of the best bits of s1 and 2.

Then he stands up with his back to the door and lets the ants seethe up and down his spine.

*gets ants*

Date: 2007-03-21 01:40 pm (UTC)
From: [identity profile] vienna-waits.livejournal.com
Everyone else already quoted my favorite lines, but may I just say this is gorgeous and wonderful?

Since this is only hours after Frannie has thrown herself at Fraser, I wonder if she is delusional enough to think that Fraser has come back for her and Ray is protecting her honor. I hope not.

Date: 2007-03-21 02:57 pm (UTC)
china_shop: Close-up of Zhao Yunlan grinning (Vecchio nice light)
From: [personal profile] china_shop
a gesture between fury and resigned disbelief that he's made so often lately that it's becoming some kind of signature move.

I love the complexity of this, the tensions -- between partnership and protector, between Fraser and Ray, and Ray and Frannie, between danger and fear and frustration. It feels like a wonderful microcosm of something huge -- TARDIS story! ♥

Date: 2007-03-21 05:24 pm (UTC)
From: [identity profile] leonandra.livejournal.com
Awwwwww....Fraser walked Frannie home after whatever-did-no-happen at the end of the "The Deal" like the gentleman he is. *g*

Fraser's mouth opens and his eyes meet Ray's steadily but a little wide with something Ray would call panic if he didn't think that was impossible, and for a second there Ray can see inside to an answer to whatever question Ray is asking. Maybe the answer is yes, except that Fraser's gaze flicks away again, up toward the house

Poor Fraser, he really doesn't have a good night.*hugs him carefully*

Date: 2007-03-21 08:20 pm (UTC)
ext_1770: @ _jems_ (world: some like it shot)
From: [identity profile] oxoniensis.livejournal.com
Gorgeous and hurty, and it feels so much like canon, it just makes it hurt all the more.

Date: 2007-03-21 11:15 pm (UTC)
From: [identity profile] viciouscats.livejournal.com
Sad and beautiful. I enjoyed it very much.

Date: 2007-03-22 04:11 am (UTC)
From: [identity profile] brynnmck.livejournal.com
I. Love. This. So. Much. This is the kind of story that's hard to feedback because it's so perfect; I just want to point and go "Yes! EEE!" after every sentence. So sad and sweet and tense, in all the best ways. And this:

"You know, Benny, Frankie's a young guy. He could live to be ninety. You gonna spend the next 55 years guarding my house?"

Fraser breaks the post-card-Mountie-on-guard-for-thee pose and tugs at his ear. A smile creases his cheek before he remembers the fat lip and smooths his expression out again, so that when he speaks the grim amusement is all in the voice. "Well, no, Ray. I thought that on odd-numbered nights you could stand outside my place."


That's pretty much my entire ship manifesto for them, right there, because that's how they are, loyal and wry and loving and so damn protective of each other, and in everything together, for better and worse.

I adored this. Thank you.

Date: 2007-03-22 09:16 pm (UTC)
From: [identity profile] brynnmck.livejournal.com
Um. I kind of had to fangirl this fic, and your writing in general, here (http://brynnmck.livejournal.com/98230.html) (at the bottom of the post). Just so you know. :)

Date: 2007-03-22 11:12 pm (UTC)
From: [identity profile] pigtailedgirl.livejournal.com
Here from the above's fangirling.

Lovely fic.

Date: 2007-05-28 09:09 pm (UTC)
From: [identity profile] dragonflymuse.livejournal.com
This was lovely.

Date: 2007-05-29 01:31 am (UTC)
ext_2366: (duesouth: partners)
From: [identity profile] sdwolfpup.livejournal.com
I had to read through the comment three times because I couldn't really believe I hadn't left feedback for you on this fic. I love this fic and I am ashamed that I haven't said so yet! There is so much packed inside of it, on both sides, all the things that aren't said yet are so clear. It's a gorgeous piece.

Date: 2007-05-31 06:41 am (UTC)
ext_9063: (due South Vecchio tracing star)
From: [identity profile] mlyn.livejournal.com
Really nice and poignant. I don't even mind that it's PG, it's that good. ;)

Date: 2007-07-09 12:04 am (UTC)
From: [identity profile] thayln.livejournal.com
"Ray stops pacing and looks at Fraser's face. His expression is perfectly open and utterly closed."

Yes, yes, yes! That's what I was trying to get at about Fraser, and couldn't put my finger on. Don't know why I bother to try and think for myself when you say it all so much better.

Date: 2008-12-21 06:17 pm (UTC)
From: [identity profile] justtheficsmaam.livejournal.com
The ear tug!

Everything is perfect about this fic. EVERYTHING.

Date: 2009-04-15 12:44 am (UTC)
plotbunniofdoom: (dief)
From: [personal profile] plotbunniofdoom
Great little fic. I just love your Vecchio and I can really see Fraser acting like that. :)

And poor Frannie, she never did get her man.
(deleted comment)

Date: 2011-12-05 03:21 am (UTC)
From: [identity profile] ride-4ever.livejournal.com
This is the very perfection of perfectness! Our boys, you have so much GOT THEM that I have to twist my brain to recall that I'm reading a fic and not PURE CANON here! *hugs you much*
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